546 Royalty-Free Audio Tracks for "Midi Files Of Musical Intervals"

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

*Minor third on C = E♭. Equal-tempered: 23/12:1 = 300 cents. MIDI pitch bend: 0,64

*28 steps in 72 equal temperament on C. Equal-tempered: 228/72=14/36=7/18:1 = 466.67 cents. MIDI pitch bend: 43,53

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

Second septimal minor third on C = D♯-. Just intonation: 25/21 = 301.85 cents.

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

*Quarter-comma meantone minor third on C. 6:5÷(81:80)1/4 = 310.26 cents.

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

*Alpha scale minor third on C. (3 : 2)4/9 : 1 = 311.98 cents. MIDI pitch bend: 107,67 MIDI pitch bend on 108,67 for 312 cents

*23 steps in 31 equal temperament on C. Equal-tempered: 223/31:1 = 890.32 cents. MIDI pitch bend: 116,60 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M6 on ~116,60.

*14 steps in 31 equal temperament on C. Equal-tempered: 214/31:1 = 541.94 cents. MIDI pitch bend: 54,77

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).

Dominant seventh raised ninth vs dominant seventh split third chord.

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

*Augmented unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

*Gamma scale neutral third on C. (3 : 2)10/20 : 1 = 351 cents. Created by Hyacinth (talk) 08:49, 25 November 2010 using Sibelius 5.

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*14 steps in 72 equal temperament on C. Equal-tempered: 214/72:1 = 233.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 234.375 cents rather than 233.338. New version a M2 on 85,74 for 233.3251953125 cents rather than 233.338.